NeurIPS 2025 Workshop on AI for Music:
Where Creativity Meets Computation

December 7 @ Room 27, San Diego Convention Center
Contact: aiformusicworkshop@gmail.com
Register here! (A “Workshops & Competitions” pass is required to attend the workshop.)

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ℹ️ Description

This workshop explores the dynamic intersection of AI and music, a rapidly evolving field where creativity meets computation. Music is one of the most universal and emotionally resonant forms of human expression. Producing, understanding, and processing music presents unique challenges for machine learning due to its creative, expressive, subjective, and interactive nature. According to the IFPI Global Music Report 2025 published by the International Federation of the Phonographic Industry (IFPI), “AI will be one of the defining issues of our time and record companies have embraced its potential to enhance artist creativity and develop new and exciting fan experiences.” AI has tremendous impacts on all aspects of music, across composition, production, performance, distribution, and education. Recent years have also seen rapidly growing interests among the machine learning community in AI music research. In this first NeurIPS workshop dedicated to music since 2011, we want to bring together the music and AI communities to facilitate a timely, interdisciplinary conversation on the status and future of AI for music.

The goal of this workshop is twofold: First, we aim to explore the latest advancements of AI’s applications for music, from analysis, creation, performance, production, retrieval to music education and therapy. Second, we aim to discuss the impacts and implications of AI in music, including AI’s impacts on the music industry, musician community, and music education as well as ethical, legal and societal implications of AI music and AI’s implications for future musicians. We will emphasize networking and community building in this workshop to generate a sustainable research momentum.

The workshop will feature invited talks, contributed spotlight presentations, a poster and demo session, a panel discussion, and round table discussions. We have invited six speakers from a diverse background who will bring interdisciplinary perspectives to the audience. We will solicit original 4-page papers from the community. We will also call for demos accompanied by 2-page extended abstracts to accommodate the various formats AI music innovations may take.

📅 Schedule (tentative)

   
8:00 - 8:10 Welcoming Remarks
8:10 - 8:40 Invited Talk by Chris Donahue (CMU & Google Deepmind)
The Expanding Horizons of Generative Music AI Research
8:40 - 9:10 Invited Talk by Shlomo Dubnov (UC San Diego)
Music Co-creativity with AI
9:10 - 10:10 ☕Coffee Break + Posters & Demos I
10:10 - 10:40 Lightning Talks
10:40 - 11:10 Awards & Spotlight Presentations
11:10 - 11:40 Invited Talk by Ilaria Manco (Google Deepmind)
Real-time Music Generation: Lowering Latency and Increasing Control
11:40 - 12:10 Invited Talk by Akira Maezawa (Yamaha)
Assisting Music Performance through AI
12:10 - 1:10 🍴Lunch Break (🥪box lunch provided)
1:10 - 2:00 Posters & Demos II
2:00 - 2:30 Invited Talk by Anna Huang (MIT)
In Search of Human-AI Resonance
2:30 - 3:00 Invited Talk by Julian McAuley (UC San Diego)
Recommendation and Personalization for Music
3:00 - 4:00 ☕Coffee Break + Posters & Demos III
4:00 - 4:50 Panel Discussion (with invited speakers)
4:50 - 5:00 Closing Remarks

💡 Invited Speakers

Chris Donahue

Chris Donahue is an Assistant Professor in the Computer Science Department at the Carnegie Mellon University, and a part-time research scientist at Google DeepMind. His research goal is to develop and responsibly deploy generative AI for music and creativity, thereby unlocking and augmenting human creative potential. His research has been featured in live performances by professional musicians like The Flaming Lips, and also empowers hundreds of daily users to convert their favorite music into interactive content through his website Beat Sage.

Shlomo Dubnov

Shlomo Dubnov is a Professor in the Music Department and Affiliate Professor in Computer Science and Engineering at the University of California San Diego. He is also the Director of the Center for Research in Entertainment and Learning at Qualcomm Institute. He is best known for his research on poly-spectral analysis of musical timbre and inventing the method of Music Information Dynamics with applications in Computer Audition and Machine improvisation.

Ilaria Manco

Ilaria Manco is a Research Scientist at Google Deepmind. She works on music understanding and generative models for interactive, real-time music creation. Her Phd dissertation focused on developing multimodal deep learning methods to enable music understanding by learning representations from audio and language.

Akira Maezawa

Akira Maezawa is a Principal Senior Engineer at Yamaha Corporation. He has been leading the music informatics applications lab in the MINA Lab based in Yokohama. He works on AI music ensemble technology that will allow AI to perform together with people, and technology that predicts musical metadata – such as beats – from musical acoustic signals. He also interacts with customers at experience-based installations and hold discussions at universities and with artists, to see how people are actually using the technologies we create in the real world.

Anna Huang

Anna Huang is an Assistant Professor at the Massachusetts Institute of Technology, with a shared position between Electrical Engineering and Computer Science (EECS) and Music and Theater Arts (MTA). She is the creator of the ML model Coconet that powered Google’s first AI Doodle, the Bach Doodle. In two days, Coconet harmonized 55 million melodies from users around the world. In 2018, she created Music Transformer, a breakthrough in generating music with long-term structure, and the first successful adaptation of the transformer architecture to music. She was a Canada CIFAR AI Chair at Mila.

Julian McAuley

Julian McAuley is a Professor in the Department of Computer Science and Engineering at the University of California San Diego. He works on applications of machine learning to problems involving personalization, and teaches classes on personalized recommendation. He has also been leading the MUSAIC team at UCSD. His lab has significant contributions to machine music understanding, symbolic music processing, music generation, NLP for music, and audiovisual learning.

🤩 Organizers

Hao-Wen (Herman) Dong

Hao-Wen (Herman) Dong is an Assistant Professor in the Department of Performing Arts Technology at the University of Michigan. Herman’s research aims to augment human creativity with machine learning. He develops human-centered generative AI technology that can be integrated into the professional creative workflow, with a focus on music, audio and video content creation. His long-term goal is to lower the barrier of entry for content creation and democratize professional content creation for everyone. Herman received his PhD degree in Computer Science from University of California San Diego, where he worked with Julian McAuley and Taylor Berg-Kirkpatrick. His research has been recognized by the UCSD CSE Doctoral Award for Excellence in Research, KAUST Rising Stars in AI, UChicago and UCSD Rising Stars in Data Science, ICASSP Rising Stars in Signal Processing, and UCSD GPSA Interdisciplinary Research Award.

Zachary Novack

Zachary Novack is a PhD student in the Computer Science and Engineering department at the University of California San Diego, advised by Dr. Julian McAuley and Dr. Taylor Berg-Kirkpatrick. His research focuses on controllable and efficient music/audio generation, as well as audio reasoning in LLMs. His long-term goal is to design bespoke creative tools for musicians and everyday users alike with adaptive control and real-time interaction, collaborating with top industry labs such as Adobe Research, Stability AI, and Sony AI. Zachary’s work has been recognized at numerous top-tier AI conferences, including DITTO (ICML 2024 Oral), Presto! (ICLR 2025 Spotlight), CoLLAP (ICASSP 2025 Oral). Outside of academia, Zachary is active within the southern California marching arts community, working as an educator for the 11-time world class finalist percussion ensemble POW Percussion.

Yung-Hsiang Lu

Yung-Hsiang Lu is a Professor in the Elmore Family School of Electrical and Computer Engineering at Purdue University. He is a fellow of the IEEE and a distinguished scientist of the ACM. Yung-Hsiang has published papers on computer vision and machine learning in venues such as AI Magazine, Nature Machine Learning, and Computer. He is one of the editors of the book “Low-Power Computer Vision: Improve the Efficiency of Artificial Intelligence” (ISBN 9780367744700, 2022 by Chapman & Hall).

Kristen Yeon-Ji Yun

Kristen Yeon-Ji Yun is a Clinical Associate Professor in the Department of Music at the Patti and Rusty Rueff School of Design, Art, and Performance at Purdue University. She is the Principal Investigator of the research project “Artificial Intelligence Technology for Future Music Performers” (US National Science Foundation, IIS 2326198). Kristen is an active soloist, chamber musician, musical scholar, and clinician. She has toured many countries, including Malaysia, Thailand, Germany, Mexico, Japan, China, Hong Kong, Spain, France, Italy, Taiwan, and South Korea, giving a series of successful concerts and master classes.

Benjamin Shiue-Hal Chou

Benjamin Shiue-Hal Chou is a PhD student in Electrical and Computer Engineering at Purdue University, advised by Dr. Yung-Hsiang Lu. His research focuses on music performance error detection and the design of multimodal architectures. He is the lead author of Detecting Music Performance Errors with Transformers (AAAI 2025) and a co-author of Token Turing Machines are Efficient Vision Models (WACV 2025). Benjamin is the graduate mentor for the Purdue AIM (AI for Musicians) group and has helped organize the Artificial Intelligence for Music workshop at both AAAI 2025 and ICME 2025. He is currently interning at Reality Defender, where he works on audio deepfake detection.

🔍 Program Committee

(In alphabetical order)

Erfun Ackley, Julia Barnett, Luca Bindini, Kaj Bostrom, Brandon James Carone, Yunkee Chae, Ke Chen, Xi Chen, Manuel Cherep, Joann Ching, Eunjin Choi, Woosung Choi, Benjamin Shiue-Hal Chou, Annie Chu, Charis Cochran, Frank Cwitkowitz, SeungHeon Doh, Chris Donahue, Hao-Wen Dong, Shlomo Dubnov, Victoria Ebert, Hugo Flores García, Ross Greer, Timothy Greer, Jiarui Hai, Wen-Yi Hsiao, Jiawen Huang, Jingyue Huang, Manh Pham Hung, Yun-Ning Hung, Tatsuro Inaba, Purvish Jajal, Dasaem Jeong, Molly Jones, Kexin Phyllis Ju, Tornike Karchkhadze, Haven Kim, Jinju Kim, Shinae Kim, Soo Yong Kim, Yewon Kim, Yonghyun Kim, Junyoung Koh, Zhifeng Kong, Junghyun Koo, Luca A Lanzendörfer, Jongpil Lee, Junwon Lee, Wei-Jaw Lee, Wo Jae Lee, Bochen Li, Xueyan Li, Duoduo Liao, Jia-Wei Liao, Brian Lindgren, Jeng-Yue Liu, Phillip Long, Yung-Hsiang Lu, Yin-Jyun Luo, Mingchen Ma, Akira Maezawa, Ilaria Manco, Jiawen Mao, Atharva Mehta, Giovana Morais, Oriol Nieto, Stephen Ni-Hahn, Zachary Novack, Patrick O’Reilly, Seungryeol Paik, Ting-Yu Pan, Eleonora Ristori, Iran R Roman, Sherry Ruan, Koichi Saito, Rebecca Salganik, Sridharan Sankaran, Jiatong Shi, Nikhil Singh, Christian J. Steinmetz, Li Su, Chih-Pin Tan, Jiaye Tan, John Thickstun, James Townsend, Fang-Duo Tsai, Teng Tu, Ziyu Wang, Christopher W. White, Shih-Lun Wu, Yusong Wu, Weihan Xu, Xin Xu, Yujia Yan, Chao Peter Yang, Guang Yang, Qihui Yang, Yen-Tung Yeh, Jayeon Yi, Chin-Yun Yu, Kristen Yeon-Ji Yun, Yongyi Zang, Fan Zhang, Wenxin Zhang, Yixiao Zhang, You Zhang, Jingwei Zhao, Ge Zhu

🤝 Sponsors

Gold Sponsors

Silver Sponsors

📜 Accepted Papers & Demos

Acceptance rate: 69% (74/108) | Paper: 71% (61/85) | Demo: 61% (14/23)

Accepted Papers

Accepted Demos

📢 Call for Papers & Demos

We invite contributions from the community on relevant topics of AI and music, broadly defined. This workshop is non-archival. Accepted papers will be posted on the workshop website but will not be published or archived. We welcome work that is under review or to be submitted to other venues.

Submission portal: openreview.net/group?id=NeurIPS.cc/2025/Workshop/AI4Music

Call for Papers

We call for original 4-page papers (excluding references) on relevant topics of AI and music, broadly defined. We encourage and welcome papers discussing initial concepts, early results, and promising directions. All accepted papers will be presented in the poster and demo session. A small number of papers will be selected for 10-min spotlight presentations. The review process will be double-blind.

Call for Demos

We call for demos of novel AI music tools and artistic work. Each demo submission will be accompanied by a 2-page extended abstract (excluding references). We encourage the authors to submit an optional short video recording (no longer than 10 min) as supplementary materials. The selected demos will each be assigned a poster board in the poster and demo session. The goal of the demo session is to accommodate the various forms that novel AI music innovations may take, and thus we will adopt a single-blind review process.

Important Dates

The following due dates apply to both paper and demo submissions:

Topics of Interest

Topics of interest include, but not limited to:

Formatting Guide

Please format your paper using the NeurIPS 2025 LaTeX template.

  1. Set the workshop title on line 40: \workshoptitle{AI for Music}

  2. For submission, set the options as follows:

    • Papers: \usepackage[dblblindworkshop]{neurips_2025}
    • Demos: \usepackage[sglblindworkshop]{neurips_2025}

  3. For camera-ready, set the options as follows:

    • Papers: \usepackage[dblblindworkshop,final]{neurips_2025}
    • Demos: \usepackage[sglblindworkshop,final]{neurips_2025}

Note that you do NOT need to include the NeurIPS paper checklist. You may include technical appendices (after the references in the main PDF file) and supplementary material (as a ZIP file up to 100 MB). However, it is up to the reviewer to determine if they want to read them.

For demo submissions, you may provide a short video recording (10 minutes maximum) to support your work. We recommend you to provide a YouTube link (or equivalent) to the video recording. Please make sure you have set the visibility to public or unlisted on YouTube. Less preferably, you may upload the video recording as an MP4 file (100 MB maximum).

🔄 Previous Iterations